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NFL investigating Giants for using two-way radio during game against Cowboys

Apparently using a two way radio during an American football game is frowned upon over in the good old US of A, This article is about a game between the Giants and the Cowboys. During a Game the coaching staff and Quarterback are not allowed to communicate if there is 15 seconds or less on the clock, this rule might have been broken with the use of a walkie talkie.

The NFL is investigating the Giants’ potentially rule-breaking use of a two-way radio during the team’s recent 10-7 win over the Dallas Cowboys.

The use of a two-way radio by a coach during a game is strictly against league rules, according to ESPN.

In the fourth quarter of the Cowboys game, Giants head coach Ben McAdoo was spotted using a walkie-talkie to communicate play calls with Eli Manning after his headset malfunctioned.

In the fourth quarter of the game, Giants head coach Ben McAdoo was spotted using a walkie-talkie to communicate play calls with Eli Manning after his headset malfunctioned.

The Cowboys issued a formal complaint to the league over the radio use, but the NFL’s investigation was already underway by the time Dallas contacted them.

The NFL has a rule against coaches using two-way handheld radios because the league cannot control when both parties are communicating.

A coach using a walkie-talkie makes it harder for the NFL to monitor a league rule that states communication from the sideline to the quarterback must end when 15 seconds are left on the play clock.

With headsets, the NFL has the power to shut off communication at will with a “cutoff switch operator,” ESPN reported.

The Giants had no comment when reached Thursday night.

McAdoo used the walkie talkie in question, however, for about four or five plays on the Giants’ fourth-quarter drive that ended in an Eli Manning interception on a pass intended for Victor Cruz.

McAdoo’s normal equipment malfunctioned and as the Giants worked to fix it, the coach was handed the walkie talkie temporarily because its signal was reaching Manning’s helmet.

As the Giants worked to correct McAdoo’s equipment, Odell Beckham Jr. could be seen running to the sideline to bring plays back to the huddle and Manning was heading over to the sideline, as well.

There is no evidence in reviewing the game film that demonstrates McAdoo was on the walkie talkie for longer than the allowed 15 seconds of communication with his quarterback.

There is also, of course, no evidence that the Giants gained any advantage even if he was. The drive ended in a turnover and the Giants’ offense stunk most of the night.

How Does GPS Tracking Work

GPS (Global Positioning System) is a network of 24 satellites placed in orbit for navigation purposes. It was invented in 1960 and positioned by the US Department of Defense for military work but later released to the public as well. GPS navigation system works 24 hours a day anywhere in the world, and is free to use. The system sends signals to navigation devices to calculate the exact location, time and speed of a vehicle, person, aircraft or water equipment. Today it’s used widely by drivers, trucking companies, and shipping firms to track their cargo and know the best route to use.

How GPS Tracking Works

There are at least four satellites available anywhere one stands on earth. All the satellites circle the earth two times a day and send signals to various areas. Any GPS receiver including mobile phones takes this signal information and calculates the user’s location.

How this method works involves calculating the difference between when the signal was sent and when it was received. This difference tells the receiver how far the satellite is, and the distance comparison of several satellites within the same area confirms the location on the electronic map.

The more satellites found within a receiver’s location, the easier it is to calculate speed, distance, and destination. At least three satellites are needed to calculate position, but a fourth satellite makes it possible to tell the speed, direction and estimated time when you are on the move.

Personal Tracking

Mobile GPS technology has made it possible to track people wherever they are. Today any phone can be tracked by the police or mobile service providers. Other mobile devices that help with tracking include jewellery such as watches, bracelets and even chips embedded in the skin.

Smartphones are also equipped with built-in GPS system that can provide the user with direction and navigation instructions. Most of these phones can tell you exactly where you are, including streets and attraction figures. They can alert you if you are going the wrong direction and give you the correct navigation.

Asset Tracking

It is so easy to track your cargo when it’s on the go. A tracking device or chip can be placed on the assets to know exactly where they are, the direction they are heading and when movement stops. Animal tracking devices are also commonly used to locate where cattle and wildlife are all the time.

Aircraft Trackers

GPS aircraft tracking is essential for both private and commercial planes. Though the primary agenda is safety and convenience, GPS works differently on the aircraft as compared to how it’s used in cars. Aircraft tracking enables traffic controllers to know the position of the plane and keep it safe when flying.

GPS also help the supervisors know when the plane will arrive and find it in the case of an accident. However, the greatest use of GPS tracker in aircraft is to ensure the pilot follows a particular path predetermined by the aircraft controller.

Vehicle Tracking

A GPS-enabled tracking device is placed on a vehicle to transmit data through cellular or satellite networks. This device will send the data to a chosen application such as NetTrack for the user to read. The tracking updates and information such as location, speed, direction and stop come in real-time.

GPS tracking system for vehicles enables people to track their cars when they are stolen, keep a tab on your business tracks and know where your child is with the car. It’s an easy and convenient way to keep track of vehicles, be it trucks, small vehicles or fleet of buses.

GPS and Two-Way Radio Integration

Two way radios are great devices used by campers, police force, and emergency dispatch for safety, tracking, and communication. However, they have shortcomings such as lack of real-time transmission, slow updates and being unreliable. Two way radio with GPS makers such as Garmin has integrated their systems with GPS capabilities. The GPS will help to know where someone is at all times even when the device is off, update locations in real time and store data for future use. It’s also handy in case of emergencies to get help and aid search activities.

UK Law

In the United States and most of the other developed countries, the use of GPS tracker by government authorities is limited. They must have a search warrant. Otherwise, any data found will not be admissible in court.

However, UK Law has no specific legislation on GPS trackers. The United Kingdom does recognize that some information is personal data, but it allows government surveillance without permission.

Why 2 Way Radio is wonderful for Your Business

Effective communication is crucial to the success of any business. Poor communication can easily lead to the collapse of any business regardless of size. If you’re running a huge business where keeping in touch with your staff is important, then you must put in place a very efficient communication system. A system that is not only efficient but also cost effective. These two factors are the reason 2 way radios are popular with modern businesses . A 2 way radio is a communication device that can both transmit and receive signal. It allows users using the same frequency to have a conversation at minimal or zero cost.

Why you should consider using a 2 way radio for your business

There are numerous benefits that a business will enjoy by making a 2 way radio its choice of communication. First, the radio provides a platform where you can conveniently keep in touch with your staff anytime you want. If you are the manager and the firm has several departments where you cannot physically access the staff, then this is the perfect device for you. Second, it’s easy to manage, unlike mobile phones that rely on the service providers. With radio system, you manage it from your premises.

The fact that a 2 way radio can only receive and send information at a set frequency improves your business’ safety. You can keep the frequency a secret such that only certified individuals can access crucial information. The radio also allows you to create several channels for specific groups. This option allows you to call individual groups whenever the need arises. For example, if the information is meant for security department, it will not be necessary to have it broadcasted to other groups.

Its broad geographical coverage is another reason you should have this communication gadget. If your business Covers a vast geographic area such as a farm or a construction site, this is the perfect mode of communication to employ. It can also be an effective security monitoring system if it’s well managed and utilized. Combining this system with GPS and the CCTV can significantly improve matters of security for your business.

But who can use the 2 way radio system?

A 2 way radio is one of the most user friend and flexible communication gadgets. Any firm can use it regardless of size. The radio is indeed the perfect model for a business that is struggling with geographical coverage challenges. It is ideal for shift workers, security staff, production line inspectors, farm workers, construction sites, shop watch and the list is endless. Anyone can use it. It only requires a little bit training on how to receive or to send a signal, and the user will be good to go.

Advantages of 2 way radios

One thing that stands out from this system is the reduced cost of communication- the cost is almost zero-rated compared to the other systems such as mobile phones. A 2 way radio is also very simple to use since you simply press the button to start talking. This speed can be crucial in cases of emergency compared to mobile phones where you will be needed to dial several buttons to make a call.

With this radio system, you can talk to multiple users at once- this is not possible with mobile phones. The gadget is built to military specs -the radio can be used in wet conditions and can withstand even a drop on the concrete surface. 2 way radio is one of the devices that can work in all areas of your business where mobile phones don’t work. The last but not the list of the advantage is that the radio stays on site, and thus different shifts can conveniently share it.

Key questions before installing a 2 way radio system

There are several questions that you must get clear answers to before you install a 2 way radio system. First, the area that the radio system is going to be used must be known. This will determine the power of the transmitter needed to cover that area. The number of people projected to use the radios should be the next question. The answer gives the number of radios required. The last question should be your budget. You must purchase what you can afford without compromising on the quality. With these questions answered, then you can have the most efficient 2 way radio communication system for your business.

How Many Walkie-Talkies Can Operate on the Same Channel?

Theoretically, you can use an unlimited amount of walkie-talkies on the same channel (although in practice you might experience a few problems if you took that suggestion literally). Basically, there isn’t really a set limit. You could use as many as you like provided they are set up correctly. Anybody set to the right channel and in range at the time of transmission would then be able to pick up the signal and respond to it.

Most radios have access to 8 channels. These channels each have 38 separate ‘identification tones’. The user sets his/her channel up with the desired tone and then only other users who know the channel/tone will be able to hear the transmissions. As a result, there are, in any given area, about 304 different combinations, so signal interference is unlikely to affect you.

Please do not interpret this answer as saying that your radio has access to 304 possible channels. It does not. It will likely only have access to 8. Some less reputable manufacturers tend to falsely imply access to 304 channels; this is simply not the case. You will have access to 304 possible tone/channel combinations, that’s all.

To better explain the CTCSS codes and how they work; we’ll include a little information from Amherst.co.uk’s FAQ page.

“CTCSS stands for “Continuous Tone Coded Squelch System”. These codes are also often called “Privacy codes” If a CTCSS tone is selected; a CTCSS sub-audible tone is transmitted along with the regular voice audio by the transmitting radio. The receiving radio, set to the same CTCSS tone, will only receive audio if it contains that sub-tone. Interference from other users on the same frequency is therefore rejected (unless they are also on the same sub-tone). This is a way of allowing groups of users of walkie-talkies on the same channel to avoid hearing messages from other nearby users”.

So, in conclusion, you can probably use as many walkie-talkies as you like on the same channel. As long as the units in question are of the same type (either VHF or UHF) and have the same CTCSS setup, then you simply shouldn’t have a problem. You also shouldn’t suffer from signal interference due to other users (although you may still experience signal loss/interference/degradation from other sources). We have talked about combating signal loss elsewhere, so please see the other questions if you have any problems in this area.

Introducing Ursa Straps – the Perfect Addition to the Radio Microphone Box

Now it’s not the usual field that we cover, but it hit our radar. How many times have you seen an enthusiastic presenter or an excited contestant on TV drop their radio mic and crawl around on the floor, trying to pick it up! Well when a costume designer and a sound man get together then things get designed, and why this hasn’t be invented before is beyond us, but it looks like an idea that could take off. Read the full article here.

Sound recordist Simon Bysshe and costumier Laura Smith have combined their knowledge and expertise to create URSA Straps, a unique range of low profile body worn straps designed to conceal radio microphone transmitters.

Introducing Ursa Straps – the Perfect Addition to the Radio Microphone Box

Officially launched this month and now available in the UK and Europe, URSA Straps are made from a specially developed bonded fabric that is ultra-slim and provides excellent stretch, comfort and breathability. Each strap incorporates a pouch to keep the transmitter locked in place and a cable pocket for managing excess microphone cable. URSA Straps are available in black, beige and brown skin tone colours and can be worn around the ankle, thigh or waist.

Bysshe and Smith developed URSA Straps after listening to numerous artists express discomfort while wearing radio mic straps. Traditional thick neoprene or elastic straps can irritate the skin, become soaked in sweat and are often impossible to disguise under figure hugging costumes.

“It was obvious that a better way of discreetly securing transmitters was required,” Simon Bysshe explains. “As a boom operator I had worked with many artists who disliked wearing transmitter packs because their associated straps could restrict movement and become uncomfortable. In some cases they had simply refused to wear them.”

Laura Smith’s knowledge of costume making proved invaluable as she was able to construct prototypes and identify the exact fabrics required to suit the needs of costume, artists and sound departments.

“After many months of research we decided to create our own unique hybrid fabric by fusing two stretch fabrics together,” Bysshe explains. “This resulting fabric is just 1mm thick and much lighter and softer than any other fabric of its kind. Crucially we incorporated a hook Velcro compatible outer surface that allows the straps to be securely attached to themselves at any point.”

Introducing Ursa Straps – the Perfect Addition to the Radio Microphone Box

Bysshe tested the new straps while working on the second series of Sky Atlantic’s The Tunnel. Lead actress Clémence Poésy was an immediate convert and provided valuable feedback to help develop the product. Bysshe has subsequently used URSA Straps on the third series of Peaky Blinders. The USRA Thigh straps were particularly popular with the cast members who found them secure, light and comfortable. The fact they can be worn around the thigh as opposed to the waist made them invaluable for use with the period costumes.

“With URSA Straps we have created such a comfortable low-profile solution that artists often forget that they are wearing them. Now we have to make sure that actors remember to take them off before they leave!” Bysshe adds. “The straps can be washed and re-used every day for many months. Our Thigh straps are particularly popular as they are designed to not slip down the leg. We achieved this by bonding on a strips of Polyurethane gripper to the inside of the straps.”

Outside film and television, URSA Straps are also proving popular with dancers who need to receive audio cues during a live performance. Using waist or thigh straps the sound team can easily conceal a receiver pack on their bodies without restricting movement or compromising the look of their costumes. URSA Straps have also developed a Double-Pack strap allowing artists to wear two packs on one strap.

Oscar-winning production sound mixer Simon Hayes was an early adopter of URSA Straps and describes them as a total game changer for his team.

“URSA Straps allow us to rig radio mics on costumes previously thought to be unmicable. Tight dresses, sportswear, stunt harnesses – they can all be easily miked using low profile URSA Straps. These straps are so popular with the actresses I work with that many have asked to keep theirs at the end of the production.”

URSA Straps are suitable for a variety of wireless transmitters including Lectrosonics, Zaxcom, Wisycom MTP40 and Sennheiser 5212. Two different pouch sizes are available to ensure optimum fit. Three different waist sizes are available: small, medium and large.

“Initially Laura and I were making the straps by hand in our garage,” Bysshe says. “When we realised their potential we scaled up production by taking on two experienced manufacturing firms in Leicester. Our launch has been a huge success with orders coming in from all around the world! We are now on our third large production run and expanding our market into Theatre, Concerts and Outside Broadcasts.”

What’s The Earpiece Performers wear During His Or Her Performance

Every time a singer gets on stage, he or she wants to put on his/her best performance ever. This is why he/she will try to avoid any distraction that might otherwise affect his or her performance in a negative way. They will ensure that their concentration is really high and that they can hear themselves sing during that moment. One of the distractions that is usually in almost every concert is noise. The noise can be coming from the speakers, the echoes and even form the audience itself.

The music and the song that is normally heard when a singer is performing is referred to as house mix while the song that the singer hears from the speakers is referred to as monitor mix. Usually, a singer stands at the back of the main speakers that are normally placed in front of the audience. Most of the time especially on a big stage, the song that reaches the audience is reflected back to the stage (but not immediately). Such background music will prevent the singer from hearing his or her voice.

Stage monitors are small speakers that are directly aimed at the singer for him or her to hear himself or herself sing. Stage monitors were previously used in concerts and they are still being used on some small venues where cover bands do gigs e.g. in some private parties, bars etc. In the current concert venues, stage monitors do not work very well. This is because singers and musicians move a lot on stage when they are performing. Although the stage monitors enable the singer to hear the music on the stage, they are not as clear as personal monitors (referred to as earpieces, very different to Radio Earpieces).

Earpieces give the singer a detailed information regarding his or her performance. They make him/her hear both the song and the orchestra. They enable the singer to constantly hear his/her song regardless of his or her physical movement on the stage. This is unlike the stage monitors that usually provide the band’s and the singer’s voice based on their distance from the speaker. With stage monitors, the sounds usually vary especially if the singer is moving all over the stage.

When a singer has the earpieces on, he gets to choose what he wants to hear. For instance if he wants to hear himself sing or even hear the lyrics, he can. The earpieces help in drowning out the background sounds like the noises made by the crowd or even those from the band. In fact on average, the earpieces can help the singer reduce the background noise by up to 30 decibels. This can extremely help the singer during the performance.

Usually, the earpieces are tailor- made to perfectly fit the singer. They also come in different styles and colors and therefore the singer can pick the one that suits his/her outfit on the stage.

The most important benefit of having the earpieces on is that, they help the singer in eliminating or reducing the echoes. In an auditorium specifically built for concerts, sounds usually radiate through the entire building when the singer is performing. The audience really enjoy the music that echoes back to the stage however, the singer can easily get confused with such echoes. Note that, by the time the echo reaches the stage, it will be one or two seconds off from what the singer is singing at that moment.

Earpieces also help in blocking the sounds that are coming from the band. The instruments are extremely loud especially those that use electric amplifiers. This noise can make it really hard for the singer to hear himself or herself sing.

The earpieces give the singer the sound feedback and therefore he/she is able to hear everything that is in the song. This makes it easier for him/her to keep on with his or her performance.

Sometimes, you may notice that some garage bands who work in small areas are not using earpieces. The members of such bands usually monitor one another while performing to ensure that they keep up and stay in tune during the performance. However in large crowds of say a 100000 people (i.e. in huge stadiums), one will definitely need earpieces otherwise he/she may not hear anything and may even end up with off key sounds.

What Walkie Talkie Channel Must I Use

You may get confused about various types of walkie talkies on sale in the UK, or not be certain what type of walkie talkies you require , and what you’re legally allowed to use in some other countries that you plan to visit, or in your part of the world. Firstly, it is important to have in mind that any type of walkie talkie will function in any part of the world.

A walkie talkie is used on a channel that has a frequency associated with the walkie talkie. In other words, if a channel has a frequency different from that of a walkie talkie, then the two will not work together.

License Free Walkie Talkies

There are 446 license-free frequencies that can be used for leisure radios such as, Motorola talkabout, Binatone and Cobra radios. However, there are eight PMR466 frequencies or PMR466 channels that can be used.

The spacing between each of these frequencies is 12.5 kHz. As the system name suggests, PMR446 frequencies are located around 446MHz and are in the UHF segment of the radio range.

Even though they are not necessarily authorized, PMR446 frequencies are harmonized for use across European countries.

High level use of PMR446 frequencies may result in some annoying problems. However, these can be reduced or rectified by changing the frequency of the PMR446. Other systems such as DCS codes and CTCSS tone can as well help in alleviating the problems.

In view of the possible high use of the frequencies and the PMR446’s unlicensed nature, the scheme is not appropriate for individuals who need to gain access to frequencies at specific times and locations or for life use.

These are simple, short-range walkie talkies that conform to the European Union-wide PMR446 standard and can be used by any person in the United Kingdom or European Union without a license. These types of radios are commonly sold in High-Street shops as well as in most radio outlets.

Commonly known as “PMR446s” radios that meet these standards usually have a power output of 0.5watts, meaning that their range is lower compared to the powerful business walkie talkies that are a licensed and which feature power outputs of 4-5 watts. All of them make use of the same eight channels and this causes problems sometimes if a given area has a lot of radio users using these channels.

Licensed Walkie Talkies

Two Way Radio for Business

Licensed handheld walkie talkies can have a power output of 5 watts, but “license free” PMR446 walkie talkies can only have 0.5watt power output. Therefore, the licensed walkie talkies usually have a better signal penetration and better range in buildings.

A majority of businesses prefer using a licensed 2-way walkie talkie system because, in spite of the benefits of license free walkie talkies (PMR 446), they have some downsides (like lower power, a short range and interference) which make them less effective than licensed business radio systems.

Taxi as well as other transport companies, and large sites like factories or hospitals, and businesses situated in a number of different locations are excellent examples of circumstances where a licensed radio system may be a favored option.

These situations require more powerful radios as opposed to hand-held portable walkie talkies with low frequencies. If the system of your radio relies on vehicle-mounted radios or a base station, a licensed radio system is necessary.

Ofcom

If you want start using a radio system in your business, then you will have to get a license from Ofcom. In other words, Ofcom is a company that controls who can transmit on what frequency and where, to ensure that different users don’t interfere with each other.

Business radio system users range from factories and taxi companies, to industrial sites, hospitals, transport operators and care homes. To begin Ofcom’s licensing process there are a number of requirements that a business must first of all fulfil.

Ofcom license is especially important regarding official radio users like police, military, railways, air traffic control and emergency services, railways, etc. Radio systems that meet specific standards can be used without any license from Ofcom. For many walkie talkie users, license free radios will be okay. And if you are in need of a license, it isn’t that expensive or complicated to get one.

The UK simple license is a license issued by Ofcom and gives holders the right to use more powerful radios. It is effectively a license to use powerful radios any place in the UK, using give frequencies which are shared by anyone using this license. This license is easy and quick to apply for, costs about £75 per organization, and is valid for 5 years.

It is the only option for people who need to use their radio systems anywhere in the United Kingdom, and is ideal for most business radios users.

Geographic License

This license provides you with specific frequencies or frequency allocated just for your organization’s use within a given geographical area. The cost of the license varies from moderately cheap in most locations in the UK (about £100 annually), with the cost heightening in key cities, more so London, where the demand for radio frequencies is very high, going for up to more than £500 per year.

Radios that are designed to use dedicated frequencies such as this, should not be used outside of the licensed area, since the same frequency will possibly have been assigned to somebody else and you will therefore be causing interference to them.

UK Business Radio Suppliers License

This is a license for hire companies and radio equipment suppliers. It allows these companies to do short term radio hire via a set of frequencies allotted to radio hire companies. It also allows these companies to provide ‘demo’ radio systems to potential customers and to undertake repairs to radio systems.

When these companies hire out their radio equipment, it’s hired using this license, so that the person hiring it does need to worry about licensing issues.

Summary

The importance of walkie talkies and radios in the UK and other parts of the world cannot be overlooked. Not only are these gadgets important in everyday communication, but they continue to play a very crucial role in the development of other communication tools. A lot of useful information about radios and walkie talkies has been highlighted in this article for the benefit of radio users and the public in general.

A review of the Icom IC-7300 direct RF sampling transceiver

Icom and ham radio go hand-in-hand, one of their main markets is supplying top of the range equipment, this IC-7300 follows on from the wonderful IC-F7200 (which is a favourite in the office) and sits along side the new range of digital IC-F1000 & 2000 radios that are going really well, but have a new connector type, so new Icom radio earpieces are needed. Read the comprehensive review we found from the swling.com website.

In August 2015 at the Tokyo Hamfair, Icom debuted a new type of transceiver in their product line––one featuring a direct RF sampling receiver. Essentially, it was an SDRtabletop transceiver.

At about the same time that the IC-7300 started shipping around the world, Icom pulled their venerable IC-7200 off the market. Yet the IC-7200 was established as a well-loved product, due to its highly sensitive receiver, its relatively robust front end, and its quality audio. Moreover, it was simple to operate, which made superb as a Field Day or radio club rig.

Therefore, even though the IC-7300 promised much more versatility than the IC-7200, for its price point it had a tough act to follow.

So, of course––even more so than with any other radio Icom has introduced in the past few years––I was eager to get my hands on a IC-7300.  I’m very fortunate that my good friend, Dave Anderson (K4SV) was one of the first purchasers of the IC-7300, and that he didn’t mind (after only having the rig perhaps one week!) allowing me to borrow it for a several weeks for evaluation.

Note:  I should state here that since this rig was loaned to me, I evaluated it based on the firmware version it shipped with, and made no modifications to it.

Icom-IC-7300-FrontThis review primarily focuses on the receiver’s performance, functionality and usability.

Introducing the Icom IC-7300

In recent years, the “big three” ham radio manufacturers have been using color displays, and––Icom most especially––touch screens. While I’m no fan of backlit touch screens in mobile applications, I  think touch screen displays make a lot of sense in a base radio. If carefully designed, a touch screen can save an operator from heavily-buried menus and decrease the number of multi-function buttons on the front panel.

The challenge, of course, is making a display with intuitive controls, and one that is large enough, and with sufficient resolution, to be useful to the operator. In the past, I’ve been disappointed by many displays; the most successful have been incorporated in DX/Contest-class (i.e., pricier) transceivers, meanwhile, entry-level and mid-priced transceiver displays often seem half-baked. While the graphics may be crisp, spectrum displays at this price point are often too compressed to be useful, and if not a touch display, force the user to pause operation in order to find the correct knob or button to change settings. In such cases, I find myself wondering why the manufacturer went to the expense of a color display at all––?

Icom-IC-7300-Display

But what about the C-7300 display?  I’m thoroughly pleased to report that Icom did afantasticjob of balancing utility and function in design of the IC-7300’s color touch display and front panel. There are  number of ways you can chose to display and arrange elements on the screen–since I’m an SDR fan, I typically chose a display setting which gave the waterfall the most real estate. Of course, one can chose to give the frequency display priority or a number of other arrangements.

User interface

I can tell that Icom built upon their experience with the IC-7100––their first entry-level touch screen display transceiver.

I was able to get the IC-7300 on the air in very little time. Within five minutes of turning on the IC-7300, I was able to:

  • change the display to feature a spectrum waterfall;
  • change the span of the waterfall display;
  • adjust the TX power output;
  • change the filters selection and the transmit mode;
  • change bands and make direct-frequency entries;
  • adjust notch, passband, and filter width;
  • adjust AF and RF gain;
  • set A/B VFOs and operate split;
  • change AGC settings;
  • turn on Noise Reduction/Noise Blanker, and
  • adjust compression.

Basically, I found that all the essential functions are clearly laid out, accessible, and highly functional.  Impressive.

The IC-7300 ships with a manual–– aptly titled, the “Basic” manual––and a CD with the full and unabridged operations manual.  The Basic Manual covers a great deal a lot more than the manual which accompanied the Icom ID-51a. If you read through the manual, you’ll readily familiarize yourself with most of the IC-7300’s higher function operations, and especially, you’ll be able to adjust the settings to your operation style. The Manual is written in simple language, and includes a lot of diagrams and graphics.

If you’re like me, you will find you’ll also need to reference that unabridged manual, so hang on to the CD, too.

Still, I imagine there’s a large percentage of future IC-7300 owners that will never need to reference the manual––especially if they don’t care about tweaking band edges or similar settings. Yes, believe it or not, it’s that easy to use.

Operation

Icom-IC-7300-Function-Buttons

While I spent a great deal of time listening to CW and SSB in various band conditions and at various times of day, I spent less time on the air transmitting.

With that said, all of my transmitting time was in CW since the IC-7300 mic was accidentally left out when my friend loaned me the rig.

I’m please to report that CW operation is quite pleasant. All of the adjustments––RF Power, Key Speed, and CW Pitch––can be quickly modified using the multi-function knob. While in CW mode, you can also toggle full break-in mode, which is quite smooth, via the function button and touch screen.

SSB functions are similar. While in  SSB mode, the multi-function knob allows you to change the tx power, mic gain, and monitor level. The function button opens an on-screen menu with VOX, compression, TBW, and the monitor toggle.

Here’s a short video I made with my phone while I made a few adjustments to the IC-7300:

Of course, my smartphones’s microphone can’t accurately reproduce the audio from the IC-7300, but you probably get the idea.

The only annoyance I noted––and perhaps I’m more sensitive to this, being primarily a QRPer––is that the 7300’s cooling fan starts up each time you key up. It even comes on when transmit power is at its lowest setting. I find this a little distracting in CW.  Fortunately, however, the 7300’s fan is fairly quiet and operates smoothly.

Receiver performance and reader survey results

Since our radio comparison shoot-outs have been particularly popular (and useful; check out our shoot-out between top portables, and ultra-compact radios, and others), I decided it would make sense to invite our informed readership to evaluate the Icom IC-7300’s performance in a series of blind, informal tests. (For information about these surveys,please read the first survey.)

Below, I’ve matched the labels (Radio A/Radio B) with the radio models.  I’ve also included pie charts which show the results from the survey.

Icom IC-7300 vs. WinRadio Excalibur

Weak Signal CW (40 meter band)

CW

Based on listener comments, those of you who preferred the ‘7300 did so because the CW was more interpretable and stable.

Some of you noted that I didn’t quite have CW at the same pitch on both rigs. I believe this is because the IC-7300’s calibration was ever so slightly off. This has since been addressed.

Weak/Strong SSB QSO (40 meter band)

SSB

This result was almost tied. The Excalibur’s audio––without any adjustments––has a fuller and “bassier” sound. The ‘7300 can be adjusted to have similar characteristics, but the default EQ settings produce very flat audio. Many of you commented that the IC-7300 more faithfully produced audio optimized for SSB.


 

Shortwave Broadcast recordings

The following recordings were made on the 31 meter broadcast band in the evening. Both radios had the same filter width: 9 kHz and 8.2 kHz.

Weak Shortwave AM (Radio Bandeirantes 31 meter band)

Weak-SW-AM

There was a noticeable preference for the WinRadio Excalibur in this particular audio set. Even though the Excalibur’s audio splattered a bit, the content was more interpretable. The IC-7300’s audio sounded flat in comparison––again, something that can be adjusted quite easily in the ‘7300’s audio settings.

Strong Shortwave AM (Radio Romania International, French 31 Meter Band)

Strong-SW-AM

Once again, the Excalibur won favor, but I imagine results would have been closer had I adjusted the ‘7300’s audio EQ.


 

Mediumwave Broadcast recordings

Note that the following mediumwave recordings were made during the morning hours (grayline). The strong station is the closest AM broadcaster to my home; it’s not a blow-torch “Class A” type station, merely the closest local broadcaster.

In the “weak” sample, I tuned to 630 kHz where multiple broadcasters could be heard on frequency, but one was dominant.

Both radios are set to a filter width of 9.0 kHz.

Strong Mediumwave AM (1010 kHz)

Strong-MW-AM

Two out of three listeners preferred the Excalibur in this example.

Weak Mediumwave AM (630 kHz)

Weak-MW-AM

In this particular example, the IC-7300 could not pull the strongest broadcaster out of the pile as well as the WinRadio Excalibur. In fairness, the Excalibur was using AM sync detection, something the IC-7300 lacks.

Icom IC-7300 vs. Elecraft KX3

IMG_20160424_105444629

I also decided to pit the IC-7300 against my well-loved Elecraft KX3.


Audio Clip 1: CW (20 meter band)

Elecraft KX3: Radio A

Elecraft - CW

Based on comments, readers who preferred the IC-7300 felt the CW sounded more pleasant and stable.


Audio Clip 2: Weak Signal CW (20 meter band)

Elecraft - WeakCW

Your comments indicated that the CW seemed to “pop out” of the noise slightly better with the IC-7300.


Audio Clip 3: Weak/Strong SSB

(Sable Island working Asia/Pacific on 20 meter band)

Elecraft SSB

These results were spilt in the middle. Again, I believe this comes down to personal preference in the audio. And again––in both radios––the audio EQ can be adjusted to suit the operator.


Receiver performance summary

I enjoy producing audio clips for readers to compare and comment upon. Each time I’ve done so in the past, I’ve had listeners argue the virtues of a particular audio clip while others have the complete opposite reaction to that same clip. Not all of us prefer our audio served up in the same way. No doubt, there’s a great deal of subjectivity in this sort of test.

I’ve had the IC-7300 on the air every day since I took possession of it. I’ve listened to SSB, CW, and lots of AM/SW broadcasters.

And here’s my summary: the IC-7300 is an excellent receiver. It has a low noise floor, superb sensitivity and excellent selectivity. I even slightly prefer its audio to that of my Elecraft KX3, and I’m a huge fan of the little KX3.

I’ve written before about how difficult it is to compare SDRs; the problem is that there are so many ways to tweak your audio, filters, AGC, noise reduction, etc. that it’s hard to compare apples with apples.

In the audio samples above, the IC-7300 and WinRadio Excalibur were both set to their default audio settings. In SSB and CW, the IC-7300 excels, in my opinion. CW seems to pop out of the noise better and SSB is more pleasant and interpretable. The Excalibur has a better audio profile for AM broadcasters, though. Its default audio simply sounds fuller–more robust.

The audio from the IC-7300 on AM sounded absolutely flat. However, if I tweak the audio of the ‘7300, adding more bass, it instantly sounds more like a dedicated tabletop receiver.

I should also mention that while the IC-7300’s built-in digital recording is a fantastic and effective feature, it doesn’t produce audio true to what’s heard through headphones live. This is especially the case when you add more bass and treble response as in the RRI example above. When the audio EQ is set to a default flat, it’s quite accurate.

To be clear:  for broadcast listening, I’ll still reach for my SDRs (the Excalibur, FDM-S2,TitanSDRand CR-1a).

If, however, I have limited space and/or budget for multiple receivers, I’d be quite happy using the IC-7300 as a broadcast receiver on the HF bands.

Speaking from the Shortwave Radio Listener (SWL) perspective, meanwhile, am I pleased with how the ‘7300 handles the broadcast bands?  Most definitely.

And as a ham radio operator, am I pleased with the IC-7300’s receiver––?  Absolutely.

In short:  the IC-7300 seems to have some of the best all-around receiver qualities of any transceiver I know under $2,000.

Summary

Every radio has its pros and cons. When I begin a review of a radio, I take notes of my initial impressions. Here’s my list for the IC-7300:

Pros

  • Excellent sensitivity and selectivity
  • Excellent, highly-customizable RX and TX audio
  • Color touch screen interface
  • Spectrum display is large enough to be useful
  • Intuitive functions
  • Twin PBT is both intuitive to operate and effective
  • Effective RF gain to compensate for noisy band conditions
  • Built-in RX and TX recording, file transfers via common SD card
  • Front panel knobs and buttons are spaced appropriately and easy to use
  • Quiet cooling fan (see con)
  • Decodes RTTY on screen
  • Built-in ATU
  • Antenna analyzer function (not tested)

Cons

  • Lacks secondary receive antenna jack on rear panel
  • Cooling fan immediately starts up on CW/SSB transmit at any power setting (see pro regarding fan noise)
  • Occasionally you may get lost in deeper customized functions
  • Supplied printed basic owner’s manual, while well-written, doesn’t fully cover the IC-7300s functions and options; you must explore the digital owner’s manual in supplied CD.

Conclusion

In a nutshell: Icom has hit a home run with the IC-7300.  If I didn’t already have an Elecraft KX3 and K2, I would buy the IC-7300 without hesitation.

Though the price point is a little high for an “entry level transceiver,” it’s worth every penny, in my opinion. For $1500 US, you get a fantastic general-coverage transceiver with an intuitive interface, nearly every function you can imagine, and performance that would please even a seasoned DXer.

Though I haven’t done and A/B comparison with the IC-7200, I imagine the IC-7300 would prevail in a test. The IC-7300 would certainly wipe the floor with it’s more economical brother, the IC-718.

Radio clubs, take note:

In my view, the IC-7300 has the makings of an excellent radio club rig in which performance, functionality, as well as ease of use are important. I expect that the IC-7300 will not only cope very well with crowded and crazy Field Day conditions, but it will also give any newcomers to the hobby a little experience with a proper modern transceiver. The fact that you can view signals so easily on the spectrum display means that it will be easier to chase contacts and monitor bands as they open and close. Indeed, what better way to mentor a newly-minted ham in modes, contacts, carriers, QRN, QRM, and so forth, than to simply point these out on the IC-7300’s bright, clear display––?

If your club is considering a transceiver upgrade or purchase, do seriously consider the IC-7300. I think you’ll find this rig is up to the task.

And for home? The Icom IC-7300 may be all of the rig you’ll ever need.

Earpiece For Two Way Radio

In the world today, walkie-talkies are very important tools. From security services, construction sites, camping sites to use during emergency rescue missions, they are a vital part of the communication industry. In the past, walkie-talkie users walked around talking and listening directly from the big phones’ but with the advancement of technology, walkie-talkie accessories have made it possible to seamlessly communicate using earpieces and headphones connected to the walkie-talkie while it remains strapped to the belt. At Earpieceonline.co.uk we have a wide range of top quality walkie-talkie and radio accessories to help ease communication with workmates.

Using a radio earpiece for a walkie-talkie is very convenient and it simplifies the communication by a mile. Radio earpieces and headsets help in remaining discrete and offer clearer communications. This feature is important especially for police and security agents looking to conduct investigations and surveillance unnoticed. The push to talk features make it easy to walk around while communicating. Radio  earpieces help in noise cancellation enabling loud and clear communication. When looking to buy a good radio earpiece, other than considering your budget, it’s important to consider the comfort and ease of use of the earpiece. EarpieceOnline.co.uk , they have the best Radio Earpieces and Connectors together with many other Radio accessories. They have high quality Radio Earpiece Styles that guarantee to suit your working needs. Below are some of the top Earpiece Accessories, Connectors and Earpiece styles available in the Online store;

Earpieces

EarpieceOnline.co.uk, have the best earpieces both wireless and wired. These earpieces can be used together with all the leading 2 way Radio Brands like Motorola, Kenwood, Entel, Hytera and Icom. Their earpieces are very small, light and comfortable to wear. The small invisible earpieces will help provide clear and covert conversations. Your information is secure with these small masterpieces and no one will even realise that you are on radio communication.

They also have different styles of earpieces available in store. With D shaped earpieces, C shaped earpieces, acoustic tube (2 wire and 3wire) and bone conductors. It is upon the customer to make the choice for the most appropriate earpiece suited for his/her needs. Here are some of the available earpiece types in the store; High quality 3 wire covert earpieces, earpieces adaptors, in ear moulds and mushroom replacements for acoustic tube earpieces. The 3 wire covert earpiece kits available in our store include; The Covert Motorola Block connector earpiece, Covert Motorola 2 Pin connector earpieces, The Covert Kenwood 2 Pin connector earpiece and Icom Multipin connector earpiece. These earpieces can be used with most of the leading Radio brands in the market.

These acoustic tube earpieces are made from very durable materials with Kevlar cable reinforcement. The connecting wires to these connectors are long enough giving you freedom to walk around comfortably. They further have Noise reducing microphones, push to talk buttons and are all RoHS compliant. The features might slightly vary depending on the brand of earpiece you prefer.

We also have wireless kits to further make your communications discrete and easier. These kits are very small, light and easy to use. The inductive pack of the kit is attached to the collar of a shirt or inside a jacket and it then transmits audio signals to the in-ear wireless earpiece. A small push to talk button is concealed in the user’s wrist where the user will be talking to. The available wireless kits in EarpieceOnline include; Inductive wireless flat pack with its in-ear wireless earpiece and the Neck Loop Inductor Earpiece with an In –Ear wireless receiver. All these earpieces come with well-designed mushroom replacements.

Connectors

Different radios have different connection ports. At EarpieceOnline.co.uk, they have a range of earpiece radio connectors to connect earpieces/headsets to all the leading radio brands like Motorola, Kenwood and Icom. Whereas other connectors are tailored to specific brands, some are universal and will be used to connect more than one 2 way radios. Some of the available connectors at Earpieceonline.co.ukinclude; interchangeable universal connectors- this connectors allow you to interchange between different radios like the Motorola GP340, GP344, GP360, DP3400, DP2400, all Icom, Hytera and Kenwood radios. We also have replacement connectors that are used to replace specific connectors. They include; DP2400 replacement connectors, Entel Multi-pin Connectors, GP340 Connectors and many other individual brands. Be sure to check with us for your desired connectors.

Why shop with us

Earpieceonline.co.uk have a large team of experienced professionals to help you with choosing and buying 2 way radios and accessories. We sell high quality products which meet the required standards to satisfy our customers. Our prices are very affordable considering the durable and the quality of the products that we offer. Our customers enjoy very fast responses to queries and we deliver the purchased items quickly. Visit our online store at EarpieceOnline.co.uktoday and get high quality products to suit your business. If you are looking for the best 2 way radios, earpieces, connectors, adaptors and many other communication accessories then EarpieceOnline is your perfect spot to shop.

Music From Your Sunglasses? Zungle’s Founders Crowdfund $2M For Shades With Bone-Conduction Speakers

Anything with bone conducting technology, we will jump upon and love the hell out of! When we heard about Sunglasses that had speakers with bone conducting inside, to allow you to make calls and listen to music whilst on the move we thought what a great idea. This crowd-funder is looking to raise $50,000 but $1 million would be a good start. See more on this here.

One of the latest hot crowdfunding campaigns is for dark sunglasses called the Zungle Panther with bone-conduction technology that allows them to be used to listen to music and make phone calls. Jason Yang, Zungle’s 30-year-old CEO and co-founder, came up with the idea because he was annoyed with trying to wear an earpiece and sunglasses to listen to music while wakeboarding.

“We all love extreme sports, and Jason is a huge fan of wakeboarding,” says Sean Bang, 30, Zungle’s chief marketing officer and co-founder. “He’ll have sunglasses on, but eventually the earphone doesn’t work with the sunglasses, and he felt that it was inconvenient and uncomfortable. So we decided to get rid of the inconvenience.”

With Zungle’s sunglasses, wearers can listen to music or make phone calls while skiing, biking or wakeboarding without worrying about an additional earpiece. Bone-conduction technology, in which you hear sound through vibrations to your skull rather than through your ears, isn’t new. But the idea of putting it into relatively inexpensive consumer products, like sunglasses, has been gaining traction recently.

So after fiddling with the product for nearly a year, in June, the two friends, who had worked together at marketing firm Innocean Worldwide in South Korea, along with two other cofounders, Chris Hong and Injun Park, turned to Kickstarter with a stated goal of $50,000 for their high-tech sunglasses. As with many crowdfunding campaigns, that $50,000 number was a lowball one; Yang says “about $1 million” was their actual goal. The Zungle Panther has a similar look to Oakley’s shades, and retails for $150. Backers who chipped in $89 could get them in a choice of colors as a “reward.” “When we started, we didn’t have enough money to create this product,” Bang says. “We chose Kickstarter because we can target everyone around the globe.”

By the time the campaign ended, in mid-July, Zungle had raised more than $1.9 million, putting it among Kickstarter’s top 100 campaigns of all-time.

Innovative radio technology keeps New Zealand’s Firefighters safe

We champion the advancement of communications within the emergency services, not only because it is an important part of their working day, but because they still have a long way to go before it is perfect. This news story comes from New Zealand and focuses on the fire service and is supplied by Motorola themselves.

Firefighters serving with New Zealand Fire Service will benefit from improved safety and communication while working in fire grounds through an innovative two-way radio solution.

The new solution from Motorola Solutions and Spark will enable the service’s 10,000 career and volunteer firefighters to stay connected to their colleagues in the field via reliable and robust voice communication.

Having attended around 73,000 incidents in the past year alone, New Zealand Fire Service needs the best tools for the job. The organisation will receive more than 4,500 new radios designed for use in the most severe fire ground environments.

A major feature of the solution is a cornerstone Motorola Solutions innovation, a remote speaker microphone that will be fully integrated within firefighters’ breathing apparatus. This will be combined with the radio’s convenient push-to-talk button, which enables firefighters to communicate easily and safely in the harshest conditions.

Paul Baxter, Chief Executive & National Commander of the New Zealand Fire Service, said,

“Communication is critical to safety on the incident ground, and much of that communication comes from the use of incident ground control (IGC) radio. That’s why we were so exacting in our requirements for these new radios.”

“The radios will help us to resolve radio interface issues with firefighters’ breathing apparatus while also delivering improved noise cancellation and battery life.”

By using a combination of single and multiband radios operating across both VHF and UHF bands, the solution aligns with the fire service’s vision of leading integrated fire and emergency services for a safer New Zealand.

“This radio solution enables us to move away from using a mix of models and frequencies and toward a nationally consistent standard that will make it easier to work with our emergency service partners,” Baxter said.

Murray Mitchell, Director ICT for the New Zealand Fire Service, said, “We wanted a solution that is safe, easy to use and doesn’t distract firefighters from their work during critical incidents.The design features incorporated in these new radios will help our firefighters work more safely and efficiently.”

Spark will provide in-country support including service management and a customer support desk.

Spark Digital CEO Tim Miles said: “Radios are life-saving tools for our emergency services, and great team communication can be the difference between a managed incident and a disaster. We are very proud to play a part in improving the on-ground experience for our Kiwi Fire Service heroes.”

Motorola Solutions Managing Director for New Zealand and Australia Steve Crutchfield said the solution drew on his company’s experience in providing tailored, mission-critical communications for public safety agencies all over the world.

“Firefighters depend on reliable and robust voice communications in emergency situations so they can concentrate on the job of protecting our communities and potentially saving lives,” Crutchfield said.

The radios are part of a five-year contract, giving New Zealand Fire Service operational and cost certainty throughout the life of the contract.

The contract also provides access provisions for related government agencies wanting to take advantage of the new radio technology.

Motorola Announces New Two-Way Radio for Use Extreme Conditions

ATEX Radios don’t get the coverage that they deserve, they are superior to most other radios and are designed for the most dangerous and explosive situations. In the past Motorola have designed ATEX radios on current models and the respective safety features added, but this 8000XE is a new model with features not seen before on previous ATEX radio. Hot off the Motorola News desk, you can find the original article here.

Motorola Solutions continues to design digital radio solutions for firefighters and has added the APX 8000XE two-way radio and APX XE500 RSM to its line of products. The newest entries into Motorola Solutions’ award-winning APX portfolio of Project 25 (P25) digital radios have been developed using the company’s well-established practice of hands-on research with firefighters and other first responders who need the most reliable mission-critical communications to do their jobs efficiently, effectively and safely every day.

The APX 8000XE features all-band functionality and is a rugged P25 two-way radio that can be used in either analog or digital mode across 700/800 MHz, VHF, and UHF bands. Time is of the essence for firefighters and they can be ready in moments by programming the radio remotely via WiFi and radio management software to operate securely on different radio networks, allowing them to quickly help neighboring counties during large-scale emergencies.

Motorola Solutions works closely with firefighters and other radio users to find out exactly what they need, and the APX 8000XE is the latest example of that thinking. It features the trusted ergonomics of the APX XE radio series, designed for easy operation in harsh conditions. The right-sized radio has a large top display, exaggerated controls for gloved hands, and a dedicated push-to-talk button. It also provides best-in-class audio with a 1-watt speaker, three built-in microphones and automatic noise suppression for clarity in the loudest of environments.

“The APX 8000XE is an all-band rugged and submersible portable radio made for firefighters,” said Lieutenant David Hudik, Elgin Fire Department. “With Wi-Fi access, we can reprogram the APX 8000XE on the fly when we are providing mutual aid assistance out-of-state.”

Most firefighters use a remote speaker microphone with their radios and the APX XE500 RSM is designedspecifically for demanding environments, whether combating a fire or providing medical services at the scene of an accident:

With five strategically placed microphones and automatic noise suppression, the APX XE500  provides clear communications when worn on either shoulder, center chest, or over the shoulder.

It can be submersed in two meters of water for up to 4 hours.

It withstands heat conditions of up to 500°F (260°C) for up to five minutes.

A channel knob automatically controls the channels of the user’s portable APX radio.

“With the APX XE500 RSM, I can completely control my APX radio without having to hunt under my bunker coat for it,” said Lieutenant David Hudik, Elgin Fire Department. “With improved water porting, you can carry the APX XE500 upright or upside down for fast water drainage while maintaining clear voicecommunications.”

“Customer input is essential to our design and the Elgin Fire Department was right at our side as we tested the capabilities of the APX 8000XE and APX XE500 RSM,” said Claudia Rodriguez, vice president, Devices Product Management, Motorola Solutions. “The latest XE radio means firefighters will be able to talk with other first responders at the scene and across municipalities and regions. The new rugged RSM means they can communicate clearly in the loudest fireground environments, including blaring horns and wailing sirens.”

The APX 8000XE and XE500 RSM will be available in North America.

Innovative radio solution protects and preserves Chinese forests

We all know how important radio communications are, and Motorola Solutions have captured a massive coup by providing the radios for protecting the Chinese forests, a feather in the cap for Motorola because Hytera, their biggest competitor at the moment, originating from china, interesting! We found this article on this website.

Motorola Solutions (NYSE:MSI) with its channel partner Beijing Dyne Rcomm Technology are helping to keep China’s Hunan forestry region safe with a MOTOTRBO digital radio system that increases safety and security for employees while helping them to work more efficiently.

China’s Hunan province is rich in flora and fauna resources that are essential to the region’s economy. However, these vast areas which make up around 60 percent of the province’s total surface area can be risky places to work for forest rangers. Forest workers depend on reliable communications to be aware of potential bushfire risks and other emergencies.

The innovative radio system integrates MOTOTRBO digital two-way radios and repeaters, a dispatch console for centralised control and monitoring of the network at all times and Motorola Solutions’ IP Site Connect digital solution to extend radio network coverage over the internet throughout the counties and cities.

“Rangers depend on access to clear and reliable communications. They need to stay constantly connected to their colleagues working in control rooms who have visibility of the entire operation and can help to keep them safe at all times,” said Michael Jiang, China President and Country Manager, Motorola Solutions.

“It’s absolutely essential for forest rangers to know where their co-workers and resources are at all times, especially in times of emergency.

“Hunan’s new radio network provides extensive coverage throughout the region, enabling rangers working across a wide geographic area to report the very first signs of fire so that resources can be deployed quickly and effectively to protect lives and natural resources,” Mr Jiang said.

Hunan’s integrated system connects the surrounding cities and counties through clear voice communications enhanced with noise cancelling features that perform reliably in the nosiest environments. This system also supports data transfer across the radio network, using GPS to pinpoint the location of nearby team members and resources in emergency situations, while text messages and automatic alerts can be sent between the province’s central control room and radio users in the field.

Motorola Solutions has now deployed more than 5,000 radios to major forestry projects across greater China at locations including the Inner Mongolia, Hebei, Liaoning, Sichuan and Guangdong provinces.

The Best Styles of Bluetooth Earpieces

Bluetooth technology has been designed for many different purposes and situations. Consequently, when people want to buy a bluetooth ear piece for a specific situation, there are some things that they will need to consider. Specifically, based on their specific situation and circumstances, they will need to review the best style of bluetooth earpiece that is available on the market today. Since there are different styles that have been made for for one or more reasons, it’s important for each individual to do their research to see which style can accommodate their needs. It is also important to note that the kind the person purchases must be comfortable so that they can wear them for an extended period of time and they fit the devices that they will be used for. Listed below are three of the bluetooth styles that’s currently offered by manufactures all over the United States and abroad.

Bluetooth ear pieces for Mobile Phones

Most people take their mobile phones wherever they go. To work, school, church, parties and all kinds of other events that they may attend. Because these phones have become commonplace in many environments, people have a need to handle them and talk to others when their hands are free. This is also a great reason for individuals who work in certain settings to make sure that they are buying the right style that will best fit their needs.

One specific style that some people may choose is the ear cradle style of headphone. In fact, this kind of bluetooth earpiece is idea for people who want to spend their time working out and performing all kinds of other extracurricular activities. People are also encouraged to buy this kind of style because they may be driving when they receive a telephone call from a family member. Or, they may be working at the job typing a memo or walking around taking care of wide hosts of other kinds of activities that are not conducive to holding a mobile phone by hand to the ear. Whatever the situation, this style of bluetooth earpiece technology is great for many different situations and purposes.

Bluetooth ear pieces and Headsets for Music Lovers

In addition to the cradle style for mobile phones, people should also review other styles as well. One specific style that is also functional in many different settings is the DJ over the head headphones. This style has been designed for the serious music lovers, especially those who can appreciate making distinctions in sounds and beats that come from specific musical instruments like the bass, violin, trumpet and other popular instruments. For those who like and prefer this kind, they will also find that this is one of the best styles for keeping out outside noises that normally interfere with a person’s overall entertainment experience. Also, because they are wireless, they are great for people who like to stay mobile during the day instead of remaining in a sedentary position.

Bluetooth Ear Pieces for IPODs

In some situations, people may want to use bluetooth technology with their IPODs. Therefore, they should consider buying an additional popular style bluetooth earpiece technology. This style is known to be very popular, specifically because it is similar to an actual earbud. An ear bud is also another excellent choice for people who want to remain both active and hassle free. Though this is a great choice for people who like to remain mobile in a wide variety of different situations, one of its main draw backs is that they tend to fall out of the individuals ear. Which means, they can also be lost since it lacks additional support to keep them stabilized inside the ear.

Sepura Releases New SC20 Portable Radios

Sepura are masters of the tetra market, they have produced radios for many years for the emergency services. police and airport security, a forward runner for the digital systems we now see all around the UK. The SC20 is the new generation of Sepura radios ready for the modern day work force. We found this article on this website and thought that our readers would find it useful.

First orders of Sepura’s new flagship hand-portable radios, the SC20 series, will be shipped in February.

Shaped by user feedback, SC20 series hand-portable radios are resilient, intelligent and durable, providing intuitive operation and outstanding performance, even in the toughest conditions.

Broadband-ready, the SC2020 (380MHz-430MHz) and the SC2040 (403MHz-470MHz) combine the mission-critical security and advanced performance of TETRA with an optional second high-speed data bearer capability.

A new, powerful Class 3 TETRA engine is paired with a new receiver that surpasses the ETSI specification, a unique combination, extending operational range and stretching coverage into areas where it was not possible before.

The radios’ powerful 2W audio capability, enhanced by unique water-porting technology, allows for uncompromised audio clarity, even in continuous heavy rain. Uniquely, the SC20 series boasts IP66, 67 and 68 environmental protection rating, meaning that it is completely dustproof, submersible to a depth of two metres for one hour and impervious to jets of water. Its design also enables it to be easily cleaned by simply rinsing dust and dirt off under the tap.

Additionally, the radios’ high-resolution screen, the largest on the market today, is specifically designed to provide a richer user experience. The larger screen enables the display of more comprehensive data, suitable for future applications via high-speed data; it is also viewable in all light conditions, including direct sunlight.

“The SC20 has been designed to deliver the highest levels of robustness, endurance, audio clarity and power. It is designed to place and receive calls where it simply was not possible before,” commented Mark Barnby, Sepura’s head of product management – devices.

“This is the first product on our brand new technology platform. It is designed to meet the needs of mission-critical users today, whilst allowing high-speed data to be added in the future.”

Steve Barber, VP group strategy for Sepura, commented: “The SC20 confirms our vision for the future and demonstrates our ability to adapt to the fast-moving markets in which we operate.

“We continue to provide our global customer base with products that address their ever-evolving communication needs and the operational challenges they face every day. The SC20 provides undisputable proof that Sepura is going further in critical communications.”

His Grave Will Be Kept Clean: Ambassador of the Blues, B.B King Passes Away Aged 89

Internationally beloved singer, songwriter and guitar hero Riley B. B.B King passed away last year. He was 89 years old.

King was a celebrated figure in Blues music from the 1950’s onwards and remained popular both in concert and on record until the time of his death.

The future Blues Boy King was born on a cotton plantation in Itta Bene, Mississippi – not far from the Delta, in 1925. He began his musical career by busking on street corners for loose change, usually performing in as many as four neighbouring towns on any given Saturday night. Seeking his fortune, the young man hitchhiked to Memphis, Tennessee, with just his guitar, the clothes on his back and $2.50 to his name.

Whilst in Memphis, Riley stayed with his cousin Bukka (pronounced Booker) White, an established Blues performer who sharpened King’s already formidable musical instincts.

In 1948, B.B performed on Sonny Boy Williamson’s KWEM radio show, which opened the door for him to perform at the Sixteenth Avenue Grill in West Memphis and later to appear on all-black radio station WDIA. This led to King being given a regular slot on the station, beginning with Kings Spot and later evolving to The Sepia Swing Club. It was during this time that Riley’s stage name of Beale Street Blues Boy became shortened to the initials B.B.

During the 1950’s, a fight broke out between two men at one of B.B’s gigs. In the resulting fracas, a kerosene stove was knocked over, which set the place ablaze. B.B, dashed into the inferno to save his favourite guitar – an act that very nearly cost him his life. When he learned that the fight had been over the affections of a woman named Lucille, B.B named his guitar after the woman and, from that day on, all of his guitars bore the name Lucille.

King, now a local radio star as well as a very popular musician in his own right, soon had a number one hit on his hands with Three O’clock Blues, this set the boy from Beale Street touring the United States of America, something he would continue to do for the rest of his life.

Towards the end of the 1960’s, B.B found that his music was transitioning to a young, white audience that were eager to embrace his electric Blues sound. B.B, who had spent his professional life playing almost exclusively to black audiences, suddenly found himself receiving standing ovations and an unprecedented level of respect and appreciation from white audiences, as well.

When he recalled the times changing around him in the 2003 documentary film The Road To Memphis, produced by Martin Scorsese, he was legitimately moved to tears. His music had broken down racial barriers and ultimately won the hearts of people from all races, all walks of life.

When he opened for The Rolling Stones on their 1969 US tour, King’s international stardom was assured. From this point on, B.B King held a new ambition close to his heart; he wanted to be known, nationally and internationally, as the ambassador of the Blues.

In the 1970’s, B.B King was a big enough name to tour internationally, visiting Africa for a series of concerts that were filmed for commercial release as B.B King: Live in Africa. Throughout the next four decades, B.B toured the world, recording live albums in places as far afield as Japan, Great Britain and San Quentin State Prison.

King toured Europe, Australia, New Zealand and even visited the UK from time to time, where this writer was lucky enough to watch the late, great man ply his trade in front of an awestruck and mesmerized audience.

The list of guitarists influenced by B.B’s incendiary sound is a long and impressive one. Names include Jimi Hendrix, Eric Clapton, Buddy Guy, Freddie King, Albert King (neither are related to B.B) and Johnny Winter amongst many, many others. B.B King won at least 9 Grammy awards (among numerous other accolades), was honoured and admired by several American Presidents and touched a great deal of hearts into the bargain.

B.B King recorded 42 studio albums and many more live albums, including critically acclaimed masterpieces like 1965’s Live at the Regal, 1969’s Live & Well, 1970’s Indianola Mississippi Seeds and 2005’s birthday celebration album, simply titled 80.

Earlier this week, a procession of fans, musicians and well-wishers paid tribute to King’s memory. Walking through the streets of Memphis, a Dixieland Jazz band followed a black hearse down Beale Street, as local act The Mighty Souls Brass Band played, When the Saints Go Marching In in honour of a musical legend.

Later in the day, a tribute concert, featuring artists Bobby Rush, The Ghost Town Blues Band and Ruby Taylor amongst others, was held in B.B’s honour.

Upon hearing the news of B.B’s passing, US President Barack Obama sadly said, “the Blues has lost its king and America has lost a legend”.

King’s final studio album, 2008’s One Kind Favor, paid tribute not only to his own illustrious career, but also to an early influence of his, Texas Bluesman Blind Lemon Jefferson. On the title track, B.B covered one of Lemon’s best-known songs, See That My Grave is Kept Clean. There really isn’t much else to say about the staggeringly significant life and career of Riley B. King, perhaps better known as The King of the Blues except that his grave will most certainly be kept clean and that his legacy will live on until time immemorial.

Hytera Connectors are so unclear, which one do I want?

Split by a middle screw, the Hytera PD700 series is capable of connecting all Hytera radios from the same series. This includes the PD715, the PD755, the PD705, the PD785 and the PD795 radios. All of these radios bring something different to the table, in addition to Hyteras trademark solutions. These include an ergonomic design and generally good battery life. The PD715 is probably the most reliable of the bunch. It works really well even in a hazardous environment. It also meets all the ATEX and IEC standards.

The PD755 comes with an increased battery life and a partial keypad, as well as voice call capabilities. Compared to the PD755, the PD705 is a slightly less sophisticated design but it comes with a GPS and supports both analog and digital radios. The PD785 meets all DMR standards and has probably the most ergonomic design out of these models. The PD795 comes with all ETSI and DMR standards.

The Hytera PD500 series connects its radios with a 2 pin connector. The dimensions of the two pins are 3.5mm and 2.5mm. There is a securing screw at the back. This connector can link any combination of the Hytera PD500 series radios together . When I say any, I mean the two radios in that series, since the PD500 series only has two designs, the PD505 and the PD565. The PD505 is very light and somewhat surprisingly, it still has excellent range. Its compact housing results in an improved sound quality. Compared to the PD505, the PD565 has more functions and supports both analogue and digital radios.

PD400 and PD600 series

PD400 and PD600 series radios are connected with a 13 pin connector (which connects to another plastic adapter). This particular connector connects to devices both from the PD400 and PD600 series. The list includes the PD605, PD665, PD685, X1P, X1E, PD405 and the PD415 radios. The PD605 comes with a lightweight design and probably one of the best radios of Hytera when it comes to the prize to value ratio. It has a compact housing and like most of the company’s designs, supports both analogue and digital radios.

The PD665 is another high quality handheld device. It has a lightweight metal casing and a full keypad. The programmable keys and the LCD display are surely welcomed additions as well. The PD685 brings very similar traits to the table, the lightweight design and the full keypad can all be found in the PD665. The X1P is different, it’s a lot thinner and its main advantage that it will work even in very hazardous conditions.

The X1E meets all ETSI and DMR standards and probably the smallest design Hytera has. Those who want an entry level radio for a more than affordable price, will probably have to look at the PD405. This radio can go for about 16 hours in digital mode. The PD415 has an integrated RFID reader and is generally recommended for patrolling personnel. Just like the PD405, it can last up to 16 hours.

Great things about Purchasing a Two Way Radio for a Restaurant

Running a restaurant is hard. Personnel in different areas need to communicate well in order to provide the best dining experience for customers. The conventional way people restaurant staff communicate is by shouting or talking loudly at each other. While this can be an effective way to communicate – this method has worked for years – it turns a restaurant into a noisy and chaotic place. Many customers are actually looking to dine in peace. So having all those noises, even if they are meant to provide better service, can actually turn off customers. Restaurant staff can communicate without disturbing the dining experience of customers with the use of walkie-talkies. two way radios for restaurants provide plenty of benefits. The most important ones are discussed below.

A good Investment

Many restaurant owners are having second thoughts about buying walkie-talkies because of the additional investment that it entails. The hesitation is understandable since running a restaurant is expensive as it is without a communication system. But if you are a restaurant owner, you can look at buying a walkie-talkie as a good investment. Having a walkie-talkie for your restaurant can help you serve your customers more efficiently. It can improve customer turnaround time and it can help provide a better dining experience for your patrons. All of these improvement can translate to more profits for your restaurant. So if you are looking for a way to improve your operations and make more money in the process then improving communication system by getting walkie-talkies is a good idea.

Improve Communication

In any organization, good communication is important. A bad communication channel can ruin the good relationship among the staff and between a manager and the people around him. If you own a restaurant, then you probably already know that it is a pressure-packed environment. It doesn’t take much for someone to crack under this kind of pressure. A good communication tool such as walkie-talkie can help ease the pressure. It can avoid miscommunication. If you are a manager, for example, and you noticed that tables are not set yet. Instead of shouting across the room and creating an angry atmosphere in your restaurant, you can simply relay your instruction on the walkie-talkie.

Choosing the right Walkie-Talkie

Of course, not all restaurant walkie-talkies are the same . Some are better than others. Not all walkie-talkies are created equal. When choosing a walkie-talkie, the first thing that you need to consider is performance. The system should be able to provide clear audio that has the ability to break through the noise that is usually present in a restaurant. A bad walkie-talkie can affect your business as adversely as the absence of a walkie-talkie system. Can imagine a restaurant staff trying to decipher the message being relayed by his manager over a walkie-talkie that is sending choppy signal? This kind of scenario can turn into a tragedy very quickly. The next thing that you should look for is comfort. The walkie-talkie should allow freedom of movement for the staff to be able to perform their job well.

Too Much Monkey Business? US Lawsuit Attempts to Grant a Monkey the Rights to his Selfie (No, Really)

A group of idiots in America (where else??) are arguing that a monkey whose image was used in a wildlife book WITHOUT HIS PERMISSION should be receiving damages for copyright infringement.

Now, as we all know, the only thing more dangerous than an idiot with too much free time is a cluster of idiots with too much free time. In this way, the truly brainless can form a conglomeration of sorts, meaning that they can then work in shifts, creating a sort of stupidity barrage, which can be rather tough to avoid. High profile examples of this phenomenon include creationism, the people who called Kim Davis a civil rights icon and, a little closer to home, UKIP voters.

…You just don’t expect it from PETA (People for Ethical Treatment of Animals), an organisation that has been around for 35 years.

OK, here’s the skinny; four years ago, British wildlife photographer and animal rights activist David Slater was visiting a nature reserve on the Indonesian island of Sulawesi. He left his camera unattended, so a cheeky monkey named Naruto picked it up and snapped a couple of selfies. One of the pics was used in a wildlife book (for which Slater was paid) and now he’s being sued…For ripping off a monkey.

According to the lawsuit, which was filed (with a straight face, amazingly) by the U.S District Court in San Francisco, the pictures came from “a series of purposeful and voluntary actions by Naruto, unaided by Slater,” as a result, says the lawsuit, “Naruto has the right to own and benefit from the copyright … in the same manner and to the same extent as any other author,”

…Except for the fact that he ISN’T an author. He’s a f*cking monkey.

This whole thing brings to mind that old joke, lets see if I can remember how it goes: when is an author not an author? Oh yeah…WHEN HE’S A F*CKING MONKEY!

And once more, just to highlight the stupidity of the whole debacle…THE AUTHOR OF THE PHOTOS IS A F*CKING MONKEY, WHO TOOK A BREAK FROM FLINGING FECES ALL OVER THE PLACE TO PLAY AROUND WITH A CAMERA, TOOK A PRETTY DECENT PHOTO AND THEN F*CKED OFF BACK TO THE RAINFOREST TO GO ABOUT HIS MONKEY BUSINESS.

…It might be different if the monkey had actually PAID for the camera, or made the purposeful and voluntary action of ordering his own camera from eBay, or even if he’d gone online and hired Slater to photograph him. Then he might actually have a case (especially if Naruto had contributed to Slater’s travel expenses). But no, none of that happened. Why? Because he’s a f*cking monkey, that’s why.

To be fair, how was Slater supposed to have obtained permission?

PETA is demanding that the monkey be paid (in bananas, presumably) damages for the unauthorized use of his photos…Which is stupid like there isn’t a word for.

Apparently, US copyright law says nothing about monkeys asserting copyright over their works (which could pose a problem if they ever do manage to type out the complete works of Shakespeare) and, as a result, PETA feels that this is sufficient grounds to take a struggling photographer to court on behalf of a monkey who, quite frankly, doesn’t give a damn.

Damn those shortsighted copyright laws. Why didn’t the authors consider that, just 40 years after they were written, monkeys would benefit from their not being specifically named anywhere in the document? So now we live in this dystopian future where only those as super-smart as I are left alive to bitterly cry “DAMN YOU, YOU MANIACS!!!, DAMN YOU ALL TO HELL!” (Thank you, Jay).

The only thing about the lawsuit which isn’t stupid is that the money (presumably after PETA recouped a lot of expenses) would go to the maintenance of Naruto’s natural habitat, which is doubtless a good thing.

Naruto is a rare crested macaque, a species that is listed as critically endangered. Their numbers have decreased by something like 90% in the last 25 years, largely due to extensive habitat loss.

…Except that, hang on, aren’t donations to PETA supposed to be going to that kind of thing, as opposed to dumbass lawsuits aimed at wildlife photographers who are just trying to capture the beauty of nature for us all to enjoy? I’m confused.

Oh wait, no I’m not. In fact, I could be in a lot of trouble, because my family’s cat once climbed up onto my desk and typed out a Facebook status, which I then posted. Ah jeez, I hope he doesn’t read this article, because that’s the last thing I need (he’s still mad at me about the whole castration thing).

Wrestling Legend Rowdy Roddy Piper Dies At 61

The world of professional wrestling is in mourning following the death of the legendary Rowdy Roddy Piper last month. Piper suffered a cardiac arrest whilst at his home in Hollywood, California. He was just 61 years old.

For many kids (including myself) that first became fans in the mid-late 1980’s, Roddy Piper was the definitive wrestling heel (industry jargon for a bad guy). Whether hosting his notorious Piper’s Pit segment, or facing off against Hulk Hogan & Mr. T (with partner Mr. Wonderful Paul Orndorf) at the inaugural WrestleMania event, Piper was one of the industry’s biggest starts during one of its most popular and lucrative periods.

He was also instrumental in making the WWF (now WWE) brand the biggest in professional wrestling. In addition to headlining the very first WrestleMania event (a pioneering Pay-Per View extravaganza that could easily have ruined the company had it proved to be a failure), Piper also featured in one of WrestleMania II’s three main event matchups, thus securing his position as one of wrestling’s most bankable stars.

His undercard matches at WrestleManias III, VI and (the stone cold classic against Bret The Hitman Hart at) VIII are absolute highlights of a classic era of pro wrestling. He even acted as a guest referee for the main event of Bret Hart vs. Yokozuna at WrestleMania X. Younger fans, however, will undoubtedly remember Piper teaming with fellow veterans Ricky Steamboat and Jimmy Superfly Snuka to face Chris Jericho at WrestleMania XXV.

In an era defined by outlandish babyface characters with bodybuilder physiques and sometimes questionable in-ring abilities, Roddy Piper stood out as a genuine wrestler’s wrestler, an authentic tough guy – and the necessarily evil counterpoint to the simplistic, superheroic good guys being featured at the time by the WWF.

Born in Saskatoon, Saskatchewan, Canada in 1954, Roderick Toombs was always an unruly personality. Expelled from school at a young age and subsequently falling out with his father, (a member of the Royal Canadian Mounted Police) Toombs hit the road, staying in various youth hostels and earning a buck wherever he could. Eventually, the tempestuous youth wound up in a wrestling ring, making his in-ring debut at the tender age of just 15-years-old.

The kid was tough (he had a Black Belt in Judo), displayed a natural affinity for the ring and he had a roguish charisma all of his own. In addition, he really could play the bagpipes. After early stints jobbing in Verne Gagne’s AWA, NWA Houston and Fritz Von Erich’s Big Time Wrestling promotion in Dallas, Texas, Piper debuted for Mike and Gene LeBell’s NWA Hollywood promotion and soon became the outfit’s top heel. A slew of regional Championships followed.

Whilst working for promoter Roy Shire in the NWA’s San Francisco territory, Piper developed his character and ring work. In Los Angeles, he feuded with Chavo Guerrero Sr, Hector Guerrero and ultimately locked up against their father, Mexican wrestling legend Gory Guerrero (father of future WWE Champ Eddie). In The Pacific Northwest, he unseated former NWA World’s Heavyweight Champion Jack Brisco for Mid Atlantic’s version of the World Heavyweight Championship, a title he would go on to hold twice more.

In the mid 1980’s, Piper entered Vince McMahon’s insurgent WWF. He was billed as being from Glasgow, Scotland and was well known for being the only wrestler to wear a kilt to the ring. Fans ate it up. Feuding with such stars as Hulk Hogan, Adrian Adonis, Andre The Giant, Jimmy Superfly Snuka, Million Dollar Man Ted DiBiase, Jerry The King Lawler and Bret Hitman Hart, to name but a few, Piper always brought out the best in his opponents and it was with the WWF that he became a household name, as well as one of the industry’s biggest ever stars.

In the mid-1990’s, Piper wrestled for WCW (World Championship Wrestling), where he debuted as one of the company’s headline stars. He feuded, once again, with Hulk Hogan and also battled old rivals such as Ric Flair, Bret Hart and ‘Macho Man’ Randy Savage. Whilst working for WCW, he was even chosen to headline ‘Starrcade’, the company’s flagship Pay-Per-View event.

In his later career, Piper made sporadic reappearances for the WWE, briefly worked for TNA, enjoyed a reasonably successful acting career and also hosted his own podcast. He battled Hodgkin’s Lymphoma after being diagnosed with the illness in 2006, but had completely beaten it into remission as of last year. Despite the setbacks caused by his ill health, Piper wrestled his last match in 2011.

Although he never held a recognised World Heavyweight Championship, Piper will be remembered as one of the greatest WWF Intercontinental Champions of all time, a reign that was attested to during his appearance at this year’s WrestleMania XXXI, where he congratulated then-IC Champion Daniel Bryan on his victory. He also held other notable belts, such as the United States Championship, the WWF/E Tag Team Championship (with Ric Flair) and the NWA World Light Heavyweight Championship.

Piper was a member of the WWE Hall of Fame and the Wrestling Observer Hall of Fame, as well as the Professional Wrestling Hall of Fame. He was also a member of the Cauliflower Alley Club.

On the August 3rd edition of RAW, the entire WWE roster, each member clad in Roddy’s signature Hot Rod t-shirts opened the show with a very moving ten bell salute in tribute to the fallen legend.

WWE boss Vince McMahon said, “Roddy Piper was one of the most entertaining, controversial and bombastic performers ever in WWE, beloved by millions of fans around the world. I extend my deepest condolences to his family.”

UFC Bantamweight Champion Rowdy Ronda Rousey dedicated her 34-second victory over Bethe Correia to Piper’s memory, “I just want to say that we lost a really close friend, Rowdy Roddy Piper, who gave me permission to use his name as a fighter (…) And so I hope him and my dad had a good time watching this today.”

Former WWE and WCW Champion (and Piper’s frequent in-ring rival) Bret Hart wrote, “I can’t find the words to describe the sorrow in my heart upon learning the news of my dear friend, Roddy Piper, passing away. He was my closest friend in the business, a man that schooled me and guided me throughout my career. In fact, if it wasn’t for Roddy Piper reaching out to help me, I’m sure I would’ve been a mere footnote in wrestling. He was always there for me. He was family to me.” Hart also recalled that, following his stroke in 2002; Piper was the only wrestler who visited him in hospital.

Hulk Hogan, another of Piper’s famous adversaries, said of Piper that, “He was my best friend. He is a legend. God’s gain is our loss. May his family in this time of need, find peace”

Other friends, colleagues and admirers of Piper’s included former WWF Champ The Iron Sheik, who said “Roddy Piper. I love you forever. God bless you Bubba” and multi-time World Champion Chris Jericho Tweeted, “Sorry to hear of the passing of my friend and Wrestlemania rival #RoddyPiper. One of the greatest who ever lived, but more importantly a legit sweet family man with a good heart”. Former WWE Divas Champion Paige called Piper a “legend” and Tweeted a picture of a broken heart, an image which reflected the feelings of many a wrestler and wrestling fan.

Roddy’s son, Colt, said that his father was his “best friend” and a “great man” saying that he would miss him forever and “always try to be the man he raised me to be”.

Rowdy Roddy Piper lived a life littered with accomplishments. Not many of us will ever be declared as legendary by our peers and fewer still will be able to stack 30+ Championship reigns anywhere on our resume, but those weren’t the man’s proudest achievements. Piper had been married to his wife, Kitty, since 1982 and is survived by her and the four children they lovingly raised together. My thoughts are with them, as well as everyone else who knew, worked with, or simply enjoyed to watch the late, great man work his magic in front of a capacity crowd. R.I.P Roddy.